SING SING SING Essay -- Essays Papers

verbalize SING SINGI used to always go over to my grandadrents star sign and watch my grand spawn go crazy over this grapple music. He explained to me that it wasnt Jazz unless it swung like the greats. I listened to a song piffle Sing Sing the other day from one of my Jazz collections that my grandpa gave to me and realized that their was so much energy and pizzazz in this music. He explained to me that it was all put together by a guy named benne, and I understood why. Benny Goodman, born Benjamin David in 1909, one of xii children, grew up in a shekels ghetto with his family, who fled Russian anti-Semitism. Encouraged by his father, an immigrant tailor, to learn a musical instrument, Goodman took up the clarinet at a puppylike age. From the start, he displayed an exceptional talent. Before he was in his teens, he had begun execute in public. He received his first true clarinet and musical homework from a local synagogue, then continued practice through take awa y House, a social-service agency for the under privileged children of the Chicago. The most important of his teachers, at the school, was Franz Schoeppe, a classical instructor from the Chicago Musical College who ignored go to sleep and stressed in his students the discipline and respect for classical music. After his father died, fourteen-year-old Benny helped support his family by playing at a Chicago neighborhood dance hall and working locally for two years. In 1925, Gil Rodin, who was then with the passel led by Ben Pollack, heard him. Goodman was hired by Pollack, then working in California, and the following year make a triumphal return to Chicago as featured soloist with the band. Goodman remained with Pollack until 1929, when he became a much in-demand session musician in New York. When the band was between jobs, Goodman jammed with members of the Austin High Gang who introduced him to the New siege of Orleans Rhythm Kings and the Dixieland clarinet style of Leon Rappolo. After his 17th birthday Benny made his first recording with Pollacks band with the tune, Hes the Last Word. Benny as well played in the bands of leaders such as Red Nichols (from 1929 to 1931), Isham Jones, and Ted Lewis. During the former(a) 30s Goodman played in bands led by Red Nichols, Ted Lewis, Sam Lanin and others. In 1934, Goodman led a dance band that performed regularly on the home(a) radio show Let... ...ible, but included among others, Lionel Hampton, Harry James, Georgie Auld, Ziggy Ellman, Charlie Christian, Red Norvo, Fletcher Henderson, ingredient Krupa, Teddy Wilson, George Wettling, Pee Wee Irwin, Miff Mole, Roy Eldridge, Stan Getz, and Cootie Williams. The Benny Goodman Story, a film made in 1955, depicted Benny Goodmans life, and Benny enter the sound track for it. In the 1950s to the 1970s he made several overseas trips and played at selected engagements with a small band. bingle such trip was to Russia in 1962. In January 1978 he re turned to Carnegie Hall to do a Concert. The tickets all sold out the first day. His last studio recordings were made in January 1986.ReferencesCollier, J. Benny Goodman and the Swing Era. New York West publish Company, 1989Connor, R. and Hicks, W. B. G. on the Record A Bio-Discography of Benny Goodman. Englewood Cliffs, NJ Prentice Hall. 1969Dance, S. The domain of Swing. New York Oxford University Press, 1979.Klauber, B. The World of Gene Krupa. Belmont, CA Wadsworth, 1991.Schuller, G. The Swing Era. New York McGraw Hill, 1989.Stewart, R. Jazz Masters of the 30s. New York W.W. Norton, 1972.