The Duke of Delirium: Duke Orsino Analyzed Through Structuralism

Orsino, the Duke of derangement Why Our Leaders Will neer Be Self-Aware Shakespeare adorns Orsino, the Duke of Illyria, with numerous source faults narcissism, capriciousness, impatience even Olivia finds the Duke repulsive in his embassy (1. 5), and Feste dubs him a foolish wit (1. 5). It is non until genus Viola enters that Orsino is painted in a new brighter light, and even then, the Duke acts authorize, sh all(prenominal)ow, and overly virile (2. 4). Although twelfth part Night is not a tragedy, Orsinos circumstance is tragic. He is pin down in a vicious power structure a noble wall that separates him from others, protect his off-putting persona.Because of his status, citizens cannot communicate to him his flaws. Because they cannot communicate, he is leave stagnant at the end of the play. When canvass via structuralism, Orsinos character articulates the Ur Code that all noble men, protected by a thriving kingdom, act entitled and superior. interestingly enough, the opp osition Orsinos perception of egotism verses Others perception of Orsino (shown below) displays the lonesome(prenominal) common attri scarcelye shared surrounded by the personal view and the outsiders view of Orsino nobility.While this may take care obvious, it explains the lack of communication between the governed and Orsino. The title, Duke, in the long run determines all of the opinions, and also prevents the presentation of these faults to Orsino. When it comes to Orsino, the occurrence that he holds power is what tallys him feel entitled to constant entertainment from Feste, undying roll in the hay from Olivia, and continuous approval from those he rules. Orsino is heedless to his changeability and narcissism, which develops the irony of this situation.Orsinos light of Orsino Illyrias Perception of Orsino Great raw sienna/ Romantic Impatient Constant erratic Noble Noble Masculine fulsome Entitled/ Superior Vainglorious/ selfishShakespeare may have insert ed this irony into Twelfth Night to further the theme He/She is not what it appears. In the same musical mode as Viola is perceived as a man, but is really a woman, Orsino is perceived as a jerk, but considers himself brilliant. The only difference is that Violas perception of self is correct and Orsinos is incorrectthat is, if we are allowed to judge This question, perhaps, is the largest human of Shakespeares message.The constant switches between sex (Viola/ Cesario), standing (Feste/ Sir Topas), and identity (Sebastian/ Viola) turn the listenings perceptions upside down and make us question simple things deal whether Orsino is good or bad. The Duke wins the heart of Viola in the end, but remains a stagnant regulation. Though they are to be married, he still views himself as creation in control of her And since you calld me master for so long,/Here is my pass by you shall from this time be/Your masters mistress (5. ). A female ruler would never have this level of authorit y, for it is not considered dignified or proper, further proving the commit that only males in power bear an overwhelming sense of entitlement. Male entitlement, sadly, is a pattern established in legion(predicate) other portrayals of leaders from Caesar to King George III. Our agriculture and hierarchies prevent accurate communication, leaving rulers in a evidence of delirium, a state which Shakespeares plays intended for us to be in all along.